schwarzes 180 gramm vinyl, downloadcode inklusive.

der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als neue vinyl-edition vor. diese entstammen ursprünglich dem von brian eno zusammengestellten set -vinyl box 3/compiled by brian eno- und waren einzeln nicht erhältlich. schwarzes vinyl / 180g. 1973 in den londoner abbey road studios aufgenommen, ist das album eine einzige anklage gegen das nigerianische establishment. in klare metaphern gekleidet, klagt er die machthaber an und beschwört prophetisch jene szenarien herauf, die ihn schon bald persönlich an repression ereilen sollten.

der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als neue vinyl-edition vor. diese entstammen ursprünglich dem von brian eno zusammengestellten set -vinyl box 3/compiled by brian eno- und waren einzeln nicht erhältlich. schwarzes vinyl / 180g. 1973 entstanden, ist -gentleman- der direkte vorläufer zum legendären album -alagbon close- - und alle zutaten des legendären afrobeat sind hier schon perfekt angelegt. thematisch pendelt das album zwischen kolonialismus (das titelstück) und persönlichen erlebnissen. -fefe naa efe- zelebriert die Überwindung von herzschmerz, während -igbe- (zu deutsch -scheiße-) durchdekliniert, wann ein menschen -scheiße- handelt: von verrat bis zur mangelnden selbstachtung ist die rede.

der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als neue vinyl-edition vor. diese entstammen ursprünglich dem von brian eno zusammengestellten set -vinyl box 3/compiled by brian eno- und waren einzeln nicht erhältlich. schwarzes vinyl / 180g. das 1971 aufgenommene album -shakara- begründet das genre des afrobeat und experimentiert mit dem einsatz musikalischer mittel: erstmals mit zwei gitarristen, die ihre riffs parallel anlegen, werden Überlagerungseffekte geschaffen, die der musik einen starken drive und eine hypnotische wirkung verleihen

this the second album by big funk factory d-funkt! the soundtrack to the story transaction declined traces the final adventure of dweeb droid and introduces aged rocker awm, whose perfidious character we will suffer a good deal more in the final chapter of the big funk epic bucky ball. anyway back to d-funkt! the band s usual cast features amongst others mat johnson (jamiroquai, laura doggit, julian perretta, duffy) as the nerdmeister general on keyboards. wayne nunes and perry melius (tricky, aswad, billy ocean) as that tall bloke and the metrognome on bass and drums

a collaboration with musician fatima al qadiri, video artist hito steyerl and poet-artist-musician juliana huxtable, produced by total freedom. limited edition of 300 single-sided copies on 180g heavyweight vinyl.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

standard edition without the sleeve ... inspired by his time at the volcano extravaganza festival on the sicilian island of stromboli, daniele baldelli has created three new cosmic tracks. including an epic remix of 1970s. a founding father of the cosmic disco sound, italian dj daniele baldelli rose to prominence with his mixture of european electronica, synth pop (often played at slower speeds), equaliser effects, and ethnic folk music. baldelli’s use of african and brazilian material helps distinguish his style from italo disco, which permeated the clubs of northern italy during the 1970s. baldelli dj’d the night away at last years festival and releases the ep on the vinyl factory in time for the 2016 celebrations

kim ann foxman realigns her vision as a producer in a welcome return to her own new york based firehouse recordings label with her &#8203,,its you that drives me wild ep kim ann foxman featured in pitchforks 7 best mixes of may 2016 kim ann foxman fact mix june 2016. the title track spins an intoxicating groove over kim anns vocals full of desire and lust, while &#8203,,give it all you got &#8203,,fuses raw energy and dextrous percussion through h&#8203,,er confident, evoca&#8203,,tive words. close ally and regular cohort maya jane coles seamlessly remixes i&#8203,,t s you that drives me wild w&#8203,,ith her signature sound. the mood suddenly becomes much tougher during magic window wrapping up the latest offering from new yorks finest lady of electronic music. since creating firehouse recordings in conjunction with t&#8203,,he vinyl factory two years ago, kim ann has released sporadically on her label, resulting in only highly thought­out and credible music from the imprint. a long standing figure in the new york dance scene, kim ann has remixed the xx and collaborated with anthony simoncinos alias ron jason. a regular at panorama bar, she continues to tour relentlessly with her high voltage signature style that is both remarkably original and infectious.

nice price deal !!! double vinyl with 6 mixes for >i ll always be around< by c + c music factory, released in 1995. first 4 mixes stay in hiphop / r&b territory, while the last 2 aim at the house floors.

nice price deal !!!

for their next release, zone records welcome legendary french producer, remixer, singer, songwriter and emblematic musical star arnaud rebotini for a fascinating four track ep. alongside the standout music, the artwork for the ep is a photo of a suitably impressive sculpture of arnaud that the label have had specially commissioned for the release. arnaud rebotini has done it all, from pioneering electronic works to teaming up with chamber orchestras. a real synth wizard and mesmeric live performer who has remixed everyone from depeche mode to nitzer ebb, bloc party to rammstein, he is an award winning musician who also started the seminal black strobe group and has had his music used on a number of films such as the wolf of wall street. as such, from experimental pop to death metal, electro to soundtracks, he has done it all. now he returns to his good friends at zone music for another sterling ep.

composer kate simko, along with her all-female london-based string ensemble london electronic orchestra, release their highly anticipated album. kate simko has composed tracks that subtly blend her training as a classical pianist with her passion for electronic music. the result is an inimitable mix of sonorous strings and instruments melting with synthesizers and loose grooved beats, taking classical music to an innovative level. musical worlds collide, with a rework of schubert, egyptian and eastern melodies, rainforest samples, philip glass-inspired minimalism and classic 808 electronic drums. the album includes reworks of the xx and parra for cuva, as well as collaborations with prominent uk house dj jamie jones and pop singer katy b.

dinamo azari is an artist revitalised. the montreal-born, toronto-based musician behind the global phenomenon azari & iii presents a blinding new remix package of solo single victim, featuring detroit techno legend carl craig and sev-erino of hedonistic party starters horse meat disco

from the sweating walls of a warehouse rave to the intimate chambers of a rogue heart, raar’s third release resonates boldly in sonic overtures from french techno supergroup, w.lv.s, and bristol’s prolific joefarr.

the crossover success of dinamo azari s previous bands raucous, hedonistic, revitalization of classic house - with hits such as reckless (with your love) and hungry for the power - brought game-changing concerts all over the world. after such extensive touring the solo azari returns to toronto for rejuvenation and inspiration on his solo debut.

on its sophomore release, raar s bold mission of unbridled techno with a punk-rock ethos is continued in tracks from label co-founder maelstrom and newest family member, specialivery. opium wars sets a seething tone, deftly holding a line of tension as machines moan and shriek. focused yet dissonant, the discomfort continues to build without resolution, playing the edge but never grasping hold . diameter of recess starts under the skin in maelstrom s typified controlled chaos. as it grows, the track becomes both an aching roar and a needle-sharp, frenzied insistence, a feral yearning and a frustrated surrender. swiss italian carlo bernasconi is a man of many aliases, the most ferocious of which is specialivery. having eagerly taken up the challenge to push further than the original demos sent, dust detector subsystem is a demonstration of this, cumulating in -an extremely rare, compulsive mental movement- presented in both teeth-bared, club-optimized and more pensive beatless versions. it is with great pride and pleasure that we present the evolution of raar. it is our greatest hope that this work inspires and liberates its listeners. released on 12inch via the vinyl factory

two tracks from a brand new (second in a row) ep by warsaw-based duo tumult hands fully illustrate paradoxical approach of jacek sienkiewicz and jurek przeŸdziecki to the creation of a common integrated form. spontaneous compositional decisions and minute sound interventions are contrasted here with a persistent precision of rhythms generated by both musicians in a reality of an inter-studio space, in moments of an encounter, sometimes, fully controlled collision, of two worlds. full of inner rigour and logic (record is a prime example of modern functionalist music), although teeming with fantasy and flourish, tumult hands current explorations also announce duos full-length lp, soon to be released through recognition records.

following the recent release of so low, a compilation of early ‘80s synth, industrial and cold wave classics and undiscovered gems curated by optimo’s jd twitch aka keith mcivor, the vinyl factory are set to release specially commissioned remixes of two tracks on the 16-track compilation by rising uk producer powell and hamburg’s helena hauff. powell’s pneumatic sound is perfectly suited to ‘49 second romance’ by german minimalists p1/e, which he deftly deconstructs, while hauff adds glistening synths to belgian electro-industrial group the klinik’s ‘moving hands’ for a driving, nocturnal version.

primulus ep, brought to you by secret factory a hungarian based duo. the two tracks on the release introduce their unique, dancefloor-shaking definition of house. all in all this ep is a haunting piece which travels through a rich landscape of fine textures. comes as a 12“ vinyl with personalized sleeve design.

tilted marks the debut material to drop from kate simko & london electronic orchestras eponymous studio album, due for release on the vinyl factory this may. featuring two original compositions and an epic remix from seth troxler, the tilted ep provides an exciting preview of simkos innovative project which showcases a symbiotic blend of orchestral soundscapes and electronic music.

optimos prolific dj/producer/label boss jd twitch aka keith mcivor has curated a compilation of early 80s synth, industrial and cold wave classics and undiscovered gems in collaboration with the vinyl factory, following the cease & desist diy! (cult classics from the post-punk era 1978-82) compilation on his own optimo music label, and youth stand up!, a collaborative recording project featuring young musicians from glasgow, ghana and belize on his autonomous africa imprint.

* remixes by prins thomas, idjut boys and johnson somerset
* bespoke rigid card outer sleeve
* printed inner sleeve
* 180-gram heavyweight vinyl
* limited edition of 500 copies
* enlisting an all-star cast from todd terje to nile rodgers, bryan ferry returned in 2014 with avonmore, his eleventh post-roxy music album

french label zone records deals in rugged electonic sounds and now offers up a brilliant new ep from a dance legend in the form of neil landstrum. he offers four cuts of typical excellent club beats that are full of wonderful weirdness

recorded live as part of doug aitkens station to station. manufactured on the vinyl factory press. hand-crafted, mixed media artwork by abaeke studio(abaeke, vincent humeau, tilly thompson, alex lunn and emma berit smit). mixed media used: ink pads and woodglue mixed with sand. music produced by justin stanley

plastic sleeve and label artwork by fraser muggeridge studio - music produced by justin stanley - limited edition of 300a: fear colours (barbican version) b: fear colours (wrangler remix)inspired by the post-punk legacy of her hometown, manchester, england, as well as classic college rock of the 80s and early 90s loneladys julie campbell began her forays into art punk by making four-track recordings with her guitar and drum machine. fear colours has been remixed by stephen mallinder from wrangler, the supergroup formed on the fringes of electronica.

the vinyl factory has teamed up with french label zone for another rugged techno four tracker, this time from close associate and well established production talent maelstrom. though his name suggests total chaos, maelstroms music belies intention, focus and precision. often marked as exciting newcomer to french techno, maelstrom has actually been making music for over fifteen years. with a cryptic history of aliases and side projects, illegal raves thrown in warehouses and fields and basements, the artist has really come into his own under this moniker. the optics ep showcases metallic techno, acid house, industrial noise and stark ambient sounds, forging smokey machine music for those with a penchant for post punk and a soft spot for the spikier end of the techno spectrum.

a techno label for punk rockers, a punk rock label for techno-heads, maelstrom and louisahhh!!!s raar imprint aims to release truly innovative music from and for brave sonic explorers. unsatisfied with digital-only distribution, raar plans to press every release to vinyl, in collaboration with the vinyl factory, curating a library of tangible sound objects as the labels legacy. additionally, the digital releases will be pay as you want, and feature special open-source material (beat-a-pellas, acapellas, instrumentals, sound banks). the label encourages its audience to invest in and make use of what tools are laid out for the taking

infamous for his part in glasgow’s dj duo optimo and the production partnership naum gabo (speicher / kompakt extra), j.g. wilkes is an esteemed music producer with a catalogue that has been building since the turn of the century. the ‘jaxon’ ep is j.g. wilkes’ first widely available solo 12” release containing four exquisite cuts exploring the ethereal boundaries of electronica. taken from a limited edition mini album box set entitled ‘german pizza party’ (vf111), j.g. wilkes’ ‘jaxon’ is the only track from that collection aimed anywhere near a dancefloor, in which rich and potent rhythms collide with foreboding frequencies. cologne’s barnt isn’t afraid to let the elegance of space and chaos into his heartfelt rework, solidly cementing the koln-glasgow freundschaft. the ep features two further productions from wilkes, the melancholic, beatless and occasionally ruthless ‘bathing beauty’ in its original form and ‘useful tool’, given a turbulent rework by naum gabo.

recorded as part of station to station, which crossed north america by train from atlantic to pacific over 24 days in 2013. a project by doug aitken produced and mastered by justin stanley designed and printed by fraser muggeridge studio & friends edition of 300

dinamo azari is an artist revitalized. extending into new waters, rich with promise, the montreal-born, toronto-based musician-producer behind the global phenomenon azari & iii returns with new solo album estranged, released on february 16th 2016 on the vinyl factory. the first single is victim – released november 6th - a pulsing opening shot, ripe with indignation, featuring singers fritz helder and starving yet full, who lent azari & iii their distinctive vocals.

death drive is a peak-time electronic club track that features eddie peake, prem sahib and george henry longly (anal house meltdown) on both production and vocals, and co-produced by long time collaborator tim goalen, inspired by and invoking the heady dance floors of their anal house meltdown parties, the pounding excitement of long nights at berghain, the legendary berlin club, and intense but fleeting romantic trysts facilitated by clubs and parties. resident berghain dj and producer fiedel has created a remix that will also feature on the release.

der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als vinyl-edition vor. *roforofo fight* ist 180g schwer

der nigerianische musiker fela kuti gilt als begründer des -afrobeat-. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als vinyl-edition vor. -na poi- ist 180g schwer und mit einem download-code ausgestattet. 1971 aufgenommen, ist dieses album maßgeblich von einer reise fela kutis in die usa beeinflusst. dort traf er sich mit musikern wie the last poets, james brown und sly stone. die drei langen stücke sind von einem sich endlos wiederholenden percussion-getriebenen funk geprägt, wie man ihn in den usa von bands wie parliament und funkadelic kennt. das phantastische schlagzeug-spiel von tony allen ist dabei ebenso maßgeblich, wie die prägnanten bläser-sätze.

original motion picture soundtrack. 12 new compositions by gesaffelstein. pressed on two 180gram heavyweight vinyl. screenprinted gold on black gatefold & inner sleeves. musical score art print on x-ray paper. limited to 1000 copies worldwide

for the duration of the event, which features residencies, installations, live performances, workshops, screenings and more, the vinyl factory has created the vinyl factory recording studio to provide a space for musicians and artists to experiment and improvise and has installed the vinyl factory press on-site to manufacture these recordings into vinyl editions. trevor jackson recorded this release in the vinyl factory recording studio as part of station to station. pressed on-site at the barbican centre for station to station july 2015.

the vinyl factory is proud to present an 18-track vinyl edition of µ20, spread across three 12inch records. for a label thats existed in an orbit of its own, on very independent terms, its remarkable that planet mu has survived 20 years. pushing buttons from idm and breakcore to dubstep and grime, and lately footwork, mike paradinas’ (µ-zip) label has a strong history of joining the dots betweens genres by supporting idiosyncratic artists from label stalwart venetian snares to kuedo, machinedrum, boxcutter, vexd, falty dl, luke vibert, ital, jlin and mr. mitch to name just a few. µ20 is a living document of that history. a colourful and adventurous ride across the roster, the compilation features contributions from the current decade as well as some of the old guard, dipping back to the late nineties and early 2000s for a range of noisier, knottier track

jamie lidell is a british vocalist, producer and warp recording artist with a string of intelligent, soulful electronic albums under his belt.a: new eyes b: seye wen... the vinyl factory has partnered american multi-media artist doug aitken and the barbican to bring his acclaimed station to station: a 30 day happening to the uk for a month-long. for the duration of the event, which features residencies, installations, live performances, workshops, screenings and more, the vinyl factory has created the vinyl factory recording studio to provide a space for musicians and artists to experiment and improvise and has installed the vinyl factory press on-site to manufacture these recordings into vinyl editions.

limited to 300 copies in hand crafted, spray painted sleeves.

carsten nicolais practice investigates the boundaries between visual and audio art forms within an integrated artistic approach. influenced by scientific reference systems, nicolai often engages mathematical patterns such as grids and codes, as well as error, randomisation and self-organising structures.

mr. gerald henderson aka jammin gerald a true chicago house legend to the family! we are happy to bring you this great release from 1997 back & re-mastered on vinyl! (originally released 1997 as dance mania 220)

*stranger than you* is the fourth studio album by acclaimed belgian new wave group the names. recorded in 2014, stranger than you marks a conscious return to the sounds and styles explored on their debut album *swimming* in 1982. the double vinyl edition is housed in a deluxe gatefold sleeve and includes a digital download code.

13 album tracks including an exclusive bonus cut, pressed on three 180-gram heavyweight vinyl records, housed in a bespoke clear sleeve, screen printed artwork by trevor jackson.

saxophones? panpipes? you gotta be kidding me, you might think… but wait until you actually listend to this great gem! great dj food with an oldschool house feel from the dynamic duo einzelkind & robin scholz under their new project name rhythm factory. straight outta offenbach. tested and approved at robert johnson many many times.

praised by pitchfork, fact and stereogum, this tel aviv trio s music has been compared with the likes of james blake and sbtrkt. having clocked 500.000+ views for their award-winning move on video, garden city movement return with a stunning new 5-track ep that showcases their mix of glitchy r&b-infused programming and euphoric pop melodies. pressed on 180-gram heavyweight vinyl housed in a full colour sleeve, this edition is limited to 500 copies worldwide.

as an la native based in paris, louisahhh!!! has a music style tha’s core is fuelled by hard and deep production paired alongside a tough and tender touch. lousiahhh!!!s distinctive sound has been perfected over the years establishing herself as a unique artist, renowned for her juxtaposition of darkness against light. the new friction collaboration features dark and sensual productions overlaid with louisahhh!!!s smoky and enigmatic voice resulting in a selection of tracks which together are made to both enchant and transport you into louisahhh!!! and maelstroms twisted world. louisahhh! collaborated with banks by performing support slot shows across her headline tour dates throughout france late last year

first release on housewax 10 inch vinyl comes from the detroit soul factory * the message* was written and produced in the legendary motor city!

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure